Kiyakotari (
kiyakotari) wrote2008-02-28 12:40 pm
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Comic Project
So, for my Graphic Novel Theory course, I have to make a short comic, 2-8 pages in length, with at least two sequential panels. Obviously I'm going to use doll photography, and I have some great ideas about pushing that medium as well, but I've realized...
I have NO IDEA what I want to do a comic OF.
Er. I could always go in and turn one of my drabbles into a comic. You know, one of those short snippets I've posted in here, like the Resinality prompts. However, I have to keep in mind that I only have a couple weeks to get this made, which means I can't get really creative with the scenery (looks like "Of Red Rabbits and Airports" is out, as much as that would ROCK).
I was thinking I could maybe do that Wren-Jian-Tea-Ceremony one. I already have a 1/3 scale tetsubin, and the introspective, low-dialogue approach would appeal to me, especially with the things I wanted to try as far as pushing the medium and altering the materiality of it a bit. The set would be easy enough to make (some tatami and paper screens and WHAM)...and I have enough "spare" dolls that I can almost certainly manage "actors" for the criminals.
Plus, it's an excuse to take pictures of Wren in that FUCKING AWESOME kimono of hers...and I could even do some really great shots of "other employees," since I have a couple other kimono, and intersperse those with the tea ceremony while the narration and dialogue between the criminals is running...
Thoughts on this?
I have NO IDEA what I want to do a comic OF.
Er. I could always go in and turn one of my drabbles into a comic. You know, one of those short snippets I've posted in here, like the Resinality prompts. However, I have to keep in mind that I only have a couple weeks to get this made, which means I can't get really creative with the scenery (looks like "Of Red Rabbits and Airports" is out, as much as that would ROCK).
I was thinking I could maybe do that Wren-Jian-Tea-Ceremony one. I already have a 1/3 scale tetsubin, and the introspective, low-dialogue approach would appeal to me, especially with the things I wanted to try as far as pushing the medium and altering the materiality of it a bit. The set would be easy enough to make (some tatami and paper screens and WHAM)...and I have enough "spare" dolls that I can almost certainly manage "actors" for the criminals.
Plus, it's an excuse to take pictures of Wren in that FUCKING AWESOME kimono of hers...and I could even do some really great shots of "other employees," since I have a couple other kimono, and intersperse those with the tea ceremony while the narration and dialogue between the criminals is running...
Thoughts on this?
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Does it HAVE to be clean or can it be racy? :)
You've written a bunch of stuff already, have you thought about just taken the sections and illustrating them?
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Also, I want to read such a comic very, very badly.
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Looks like you'll get to read the comic.
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Does the comic have to be complete and self-contained?
I think if I were doing this project I'd start at the point in the sequence I found most interesting and build out from there. But I am a big fan of dropping people into the soup.
Another queer thought - could you tell the story without a word of dialogue or exposition? Just with shots and cuts?
I'd like to get a gander at your 1/3 tetsubin. 8-)
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I'm afraid leaving out text is not an option, since part of the topic matter of the class is the interaction between text and visuals. The way I'm planning it, I might be able to do a "silent" version, though. Maybe for website-only release, or some such.
The 1/3 tetsubin is awesome. Remind me and I will bring it down with me in July.
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Also, this teacher is HUGELY interested in/a fan of remediation, so the fact that this started as text and is moving into the visual should get me extra points. =D